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            <url>
                        <loc>https://mollyengblom.com/about</loc>
            
            
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            <url>
                        <loc>https://mollyengblom.com/choreographing</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/W3082105007905888115279077611275/IMG_8975.jpg</image:loc>
                                            <image:caption>gröpt</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M3082105542178936722128821065483/IMG_8973.jpg</image:loc>
                                            <image:caption>thanks to</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T3091591870486526891339637364491/Keep-the-relationship-between-the-figures-intact-in-the-cutout..png</image:loc>
                                            <image:caption>gröpt</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W3091837278443411941140839569163/Kafe-Mokx--2023.jpg</image:loc>
                                            <image:caption>Kafé Mokx</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L3091837840128322241522976724747/Skarmavbild-2024-02-25-kl.-13.06.55.png</image:loc>
                                            <image:caption>Flimmer</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N3091848755878447394707888183051/IMG_3007.JPG</image:loc>
                                            <image:caption>Tranebergsbron dreglar på din hjässa</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S3091853758026697630305871238923/IMG_1061.jpg</image:loc>
                                            <image:caption>Nattklang</image:caption>
                                    </image:image>
            
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                        <loc>https://mollyengblom.com/gröpt</loc>
            
            
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                                    </image:image>
            
                
                <image:image>
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                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T3082175125179150650075890882315/Keep-the-relationship-between-the-figures-intact-in-the-cutout..png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;

&lt;br /&gt;&lt;span style=&quot;line-height: 1; --font-scale: 1.67;&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;line-height: 1; --font-scale: 1.67;&quot;&gt;&lt;span style=&quot;--font-scale: 1.21;&quot;&gt;Photo by Nemo Hinders&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span class=&quot;text-about-work-&quot; style=&quot;line-height: 1; color: rgba(0, 0, 0, 0.85); --font-scale: 2.26;&quot;&gt;&lt;i&gt;gröpt&lt;/i&gt; is a choreographic installation with two dancers and seven tons of clay.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In gröpt, friendship and fleeting intimacy are placed in relation to geological time, in a world full of hollows, and passages are dug through temporalities and places; at the core of these cracking surfaces, something porous, rough, and alive emerges. The dancers listen to what rests just beneath the surface: in currents, sediment, and movements still unfolding.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
A temporary architecture is constructed within the performance space using clay and excavated masses from the Stockholm region. Bodies, sound, and materials mutually affect one another; they leave traces, collide, change consistency, and wear each other down through actions that move between affection and collapse.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Jennie Bergsli and Molly Engblom are developing a shared practice between dance, choreography, performance, and visual art. gröpt is their first work as a duo, created together with the composer Vilde Tuv and the architect, clay researcher and artist Vincent Dumay.&lt;/span&gt;
&lt;span class=&quot;text-about-work-&quot; style=&quot;line-height: 1; color: rgba(0, 0, 0, 0.85); --font-scale: 2.26;&quot;&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Credits: &lt;br /&gt;&lt;br /&gt;
Choreography, Dance, Performance&lt;br /&gt;
&lt;br /&gt;
Jennie Bergsli&lt;br /&gt;
&lt;br /&gt;
Molly Engblom&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;Sound&lt;br /&gt;
&lt;br /&gt;
Vilde Tuv&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Spatial installation&lt;br /&gt;
&lt;br /&gt;
Vincent Dumay&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Lights&lt;br /&gt;
&lt;br /&gt;
Christoffer Lloyd&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Costume&lt;br /&gt;
&lt;br /&gt;
Ine Gyllensvärd&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Photo&lt;br /&gt;
&lt;br /&gt;
Nemo Hinders&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Co-production&lt;br /&gt;
&lt;br /&gt;
MDT Moderna Danstearn&lt;br /&gt;
&lt;br /&gt;
Spriten Kunsthall&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Support&lt;br /&gt;
&lt;br /&gt;
Arts Council Norway&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
A warm thank you to the residencies at Höjden Studios(SE) and Danscentrum Syd(SE) via Konstnärsnämnden, NORA – National and Regional Arena for Dance in Telemark (NO), as well as to the artist collective LiliRe and the work-in-progress platform IamUndone in collaboration with Dramatikkens Hus(NO), and to CRAterre, the International Centre for Earth Construction (FR), and Grand Collectif in Grenoble (FR) for their generous support.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                    </image:image>
            
        </url>
            <url>
                        <loc>https://mollyengblom.com/flimmer</loc>
            
            
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                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W3082175125123810417854762227467/3.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T3082175125179150650075890882315/Keep-the-relationship-between-the-figures-intact-in-the-cutout..png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;

&lt;br /&gt;&lt;span style=&quot;line-height: 1; --font-scale: 1.67;&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;line-height: 1; --font-scale: 1.67;&quot;&gt;&lt;span style=&quot;--font-scale: 1.21;&quot;&gt;Photo by Nemo Hinders&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span class=&quot;text-about-work-&quot; style=&quot;line-height: 1; color: rgba(0, 0, 0, 0.85); --font-scale: 2.26;&quot;&gt;&lt;i&gt;gröpt&lt;/i&gt; is a choreographic installation with two dancers and seven tons of clay.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In gröpt, friendship and fleeting intimacy are placed in relation to geological time, in a world full of hollows, and passages are dug through temporalities and places; at the core of these cracking surfaces, something porous, rough, and alive emerges. The dancers listen to what rests just beneath the surface: in currents, sediment, and movements still unfolding.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
A temporary architecture is constructed within the performance space using clay and excavated masses from the Stockholm region. Bodies, sound, and materials mutually affect one another; they leave traces, collide, change consistency, and wear each other down through actions that move between affection and collapse.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Jennie Bergsli and Molly Engblom are developing a shared practice between dance, choreography, performance, and visual art. gröpt is their first work as a duo, created together with the composer Vilde Tuv and the architect, clay researcher and artist Vincent Dumay.&lt;/span&gt;
&lt;span class=&quot;text-about-work-&quot; style=&quot;line-height: 1; color: rgba(0, 0, 0, 0.85); --font-scale: 2.26;&quot;&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Credits: &lt;br /&gt;&lt;br /&gt;
Choreography, Dance, Performance&lt;br /&gt;
&lt;br /&gt;
Jennie Bergsli&lt;br /&gt;
&lt;br /&gt;
Molly Engblom&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;Sound&lt;br /&gt;
&lt;br /&gt;
Vilde Tuv&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Spatial installation&lt;br /&gt;
&lt;br /&gt;
Vincent Dumay&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Lights&lt;br /&gt;
&lt;br /&gt;
Christoffer Lloyd&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Costume&lt;br /&gt;
&lt;br /&gt;
Ine Gyllensvärd&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Photo&lt;br /&gt;
&lt;br /&gt;
Nemo Hinders&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Co-production&lt;br /&gt;
&lt;br /&gt;
MDT Moderna Danstearn&lt;br /&gt;
&lt;br /&gt;
Spriten Kunsthall&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Support&lt;br /&gt;
&lt;br /&gt;
Arts Council Norway&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
A warm thank you to the residencies at Höjden Studios(SE) and Danscentrum Syd(SE) via Konstnärsnämnden, NORA – National and Regional Arena for Dance in Telemark (NO), as well as to the artist collective LiliRe and the work-in-progress platform IamUndone in collaboration with Dramatikkens Hus(NO), and to CRAterre, the International Centre for Earth Construction (FR), and Grand Collectif in Grenoble (FR) for their generous support.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T3082175125160703906002181330699/It-works-best-if-the-marks-in-the-sand-stay-visible-in-the-cutout.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://mollyengblom.com/nattklang</loc>
            
            
            <lastmod>2026-08-28T10:05:47+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C3082175125197597394149600433931/Works-in-relation-or-only-cut-out-of-the-the-person-in-the-back-.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W3082175125123810417854762227467/3.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T3082175125179150650075890882315/Keep-the-relationship-between-the-figures-intact-in-the-cutout..png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;

&lt;br /&gt;&lt;span style=&quot;line-height: 1; --font-scale: 1.67;&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;line-height: 1; --font-scale: 1.67;&quot;&gt;&lt;span style=&quot;--font-scale: 1.21;&quot;&gt;Link to trailer  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span class=&quot;text-about-work-&quot; style=&quot;line-height: 1; color: rgba(0, 0, 0, 0.85); --font-scale: 2.26;&quot;&gt;&lt;i&gt;gröpt&lt;/i&gt; is a choreographic installation with two dancers and seven tons of clay.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In gröpt, friendship and fleeting intimacy are placed in relation to geological time, in a world full of hollows, and passages are dug through temporalities and places; at the core of these cracking surfaces, something porous, rough, and alive emerges. The dancers listen to what rests just beneath the surface: in currents, sediment, and movements still unfolding.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
A temporary architecture is constructed within the performance space using clay and excavated masses from the Stockholm region. Bodies, sound, and materials mutually affect one another; they leave traces, collide, change consistency, and wear each other down through actions that move between affection and collapse.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Jennie Bergsli and Molly Engblom are developing a shared practice between dance, choreography, performance, and visual art. gröpt is their first work as a duo, created together with the composer Vilde Tuv and the architect, clay researcher and artist Vincent Dumay.&lt;/span&gt;
&lt;span class=&quot;text-about-work-&quot; style=&quot;line-height: 1; color: rgba(0, 0, 0, 0.85); --font-scale: 2.26;&quot;&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Credits: &lt;br /&gt;&lt;br /&gt;
Choreography, Dance, Performance&lt;br /&gt;
&lt;br /&gt;
Jennie Bergsli&lt;br /&gt;
&lt;br /&gt;
Molly Engblom&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;Sound&lt;br /&gt;
&lt;br /&gt;
Vilde Tuv&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Spatial installation&lt;br /&gt;
&lt;br /&gt;
Vincent Dumay&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Lights&lt;br /&gt;
&lt;br /&gt;
Christoffer Lloyd&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Costume&lt;br /&gt;
&lt;br /&gt;
Ine Gyllensvärd&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Photo&lt;br /&gt;
&lt;br /&gt;
Nemo Hinders&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Co-production&lt;br /&gt;
&lt;br /&gt;
MDT Moderna Danstearn&lt;br /&gt;
&lt;br /&gt;
Spriten Kunsthall&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Support&lt;br /&gt;
&lt;br /&gt;
Arts Council Norway&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
A warm thank you to the residencies at Höjden Studios(SE) and Danscentrum Syd(SE) via Konstnärsnämnden, NORA – National and Regional Arena for Dance in Telemark (NO), as well as to the artist collective LiliRe and the work-in-progress platform IamUndone in collaboration with Dramatikkens Hus(NO), and to CRAterre, the International Centre for Earth Construction (FR), and Grand Collectif in Grenoble (FR) for their generous support.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T3082175125160703906002181330699/It-works-best-if-the-marks-in-the-sand-stay-visible-in-the-cutout.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K3105378479330644333558019692299/IMG_1060.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;

&lt;br /&gt;&lt;span style=&quot;line-height: 1; --font-scale: 1.67;&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;line-height: 1; --font-scale: 1.67;&quot;&gt;&lt;span style=&quot;--font-scale: 1.21;&quot;&gt;Link to trailer  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span class=&quot;text-about-work-&quot; style=&quot;line-height: 1; color: rgba(0, 0, 0, 0.85); --font-scale: 2.26;&quot;&gt;&lt;i&gt;gröpt&lt;/i&gt; is a choreographic installation with two dancers and seven tons of clay.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In gröpt, friendship and fleeting intimacy are placed in relation to geological time, in a world full of hollows, and passages are dug through temporalities and places; at the core of these cracking surfaces, something porous, rough, and alive emerges. The dancers listen to what rests just beneath the surface: in currents, sediment, and movements still unfolding.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
A temporary architecture is constructed within the performance space using clay and excavated masses from the Stockholm region. Bodies, sound, and materials mutually affect one another; they leave traces, collide, change consistency, and wear each other down through actions that move between affection and collapse.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Jennie Bergsli and Molly Engblom are developing a shared practice between dance, choreography, performance, and visual art. gröpt is their first work as a duo, created together with the composer Vilde Tuv and the architect, clay researcher and artist Vincent Dumay.&lt;/span&gt;
&lt;span class=&quot;text-about-work-&quot; style=&quot;line-height: 1; color: rgba(0, 0, 0, 0.85); --font-scale: 2.26;&quot;&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Credits: &lt;br /&gt;&lt;br /&gt;
Choreography, Dance, Performance&lt;br /&gt;
&lt;br /&gt;
Jennie Bergsli&lt;br /&gt;
&lt;br /&gt;
Molly Engblom&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;Sound&lt;br /&gt;
&lt;br /&gt;
Vilde Tuv&lt;br /&gt;
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Spatial installation&lt;br /&gt;
&lt;br /&gt;
Vincent Dumay&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Lights&lt;br /&gt;
&lt;br /&gt;
Christoffer Lloyd&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Costume&lt;br /&gt;
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Ine Gyllensvärd&lt;br /&gt;
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Photo&lt;br /&gt;
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Nemo Hinders&lt;br /&gt;
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Co-production&lt;br /&gt;
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MDT Moderna Danstearn&lt;br /&gt;
&lt;br /&gt;
Spriten Kunsthall&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
Support&lt;br /&gt;
&lt;br /&gt;
Arts Council Norway&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
A warm thank you to the residencies at Höjden Studios(SE) and Danscentrum Syd(SE) via Konstnärsnämnden, NORA – National and Regional Arena for Dance in Telemark (NO), as well as to the artist collective LiliRe and the work-in-progress platform IamUndone in collaboration with Dramatikkens Hus(NO), and to CRAterre, the International Centre for Earth Construction (FR), and Grand Collectif in Grenoble (FR) for their generous support.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
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Molly Engblom&lt;br /&gt;
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&lt;br /&gt;&lt;span style=&quot;line-height: 1; --font-scale: 1.67;&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;line-height: 1; --font-scale: 1.67;&quot;&gt;&lt;span style=&quot;--font-scale: 1.21;&quot;&gt;Photo by Lydia Belevich&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
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Choreography, Dance, Performance&lt;br /&gt;

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&lt;br /&gt;
Molly Engblom&lt;br /&gt;
&lt;br /&gt;
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